Wednesday, September 25, 2013

Were Conscious Musicians of the Sixties and Seventies Silenced? – Part 1 2 3 Conclusion

Thank you Wes and your Guides!
*** WE ARE ALL ONE

Were Conscious Musicians of the Sixties and Seventies Silenced? – Part 1

We each have the ability to use our voices and stand up to the powers that were, proclaiming our collective independence from their oppression and tyranny. We all have something unique to contribute to the awakening of our populace, and it’s evident that a lot of influential people in our past have discovered that they could use their voice and have worked aptly to awaken the public.
Amidst researching the subject I’m going to present, I found that the influence of the individuals I’ll discuss saw them pose a great threat to the cabal because they helped to awaken and motivate millions of others to stand up for their rights and reject the fabricated culture that’s been pushed onto us.
The subject I’m going to discuss today is the potentially purposeful deaths of powerful voices of influence who’ve spoken up against the cabal and helped lead a culture of rebellion against them.
Most of you reading this know about the many influential voices from the 60s and 70s, JFK and MLK being two, but for this series I’d like to focus on three noted musicians who worked to incite and lead revolution during that time.
The three musicians and revolution-inspirers I’d like to focus on today are Jimi Hendrix, John Lennon and Bob Marley.
Jimi Hendrix has always been a huge figure in the counterculture and rock music circles, and some people don’t know that beyond his incredible ability to play guitar, he also revolutionized the electric guitar and pioneered many of the effects used by nearly any rock band today. (1)
John Lennon will always be an important figure in our history because of his work with the Beatles, his conscious and inspired solo music and the massive and influential role he played as an activist in motivating others to go against the established norm and speak up against war.
We’ll discuss John Lennon’s massive ability to incite the public into creating change, and the cabal’s active awareness of such ability, later on. For now I’ll simply say that he, like Hendrix and Marley, was a pioneer in what he did and how he inspired millions of others to become aware.
I could hardly begin to list Bob Marley’s numerous inspiring accomplishments in his short life.
Perhaps the most notable of his accomplishments was using music to lift himself out of a third-world situation and to formally present his country to the world with such music and make us aware that Jamaica exists and should be taken seriously.
Amidst doing this, his deeply rooted and conscious Rastafarian way of living inspired him to present his spirituality to the world in form of music that praises Jah (Rasta word for God) and Haile Selassie (former emperor of Ethiopia), believed by some Rastas to have been Christ reincarnated and to have been an incarnation of Jah by others. (2)
Jah and Selassie are two main deities of worship for many Rastas (Selassie died in the mid-70s).
Marley, coming from a place of understanding how the upper class benefits from ghettos and keeping ghetto youths feeding into mob/gang/political violence-based lifestyles, also urged the people to “get up, stand up” and uproot the powers that were from their self-made thrones.
Marley was a revolutionary by all means, and his performances inspired riots and true displays by the people that we’re in charge and can rise up if properly motivated.
Again, I’ve continually come across the theme that the cabal actively focuses on conscious people – be them musicians, religious or celebrity personalities or anyone else – who motivate and inspire the public to stand up.
Those conscious and influential people who make us aware that our governments haven’t been working for the public despite the propaganda and political kabuki theater they broadcast in the mainstream media, seem to be especially targeted by the cabal.
I don’t mean to say that in the sense of the cabal being responsible for their deaths – I mean that the cabal seems to have been actively interested in the lives and exploits of Hendrix, Lennon, Marley and so many countless others.
Some of the more dedicated spiritual seekers out there may see this series as less inclined toward spirituality and more toward bringing a different viewpoint of what I feel to be an important subject to the table, but the message I aim to reinforce in this series is that we each possess immense power to help breed consciousness in others and create change.
The conscious public of this evolving planet is meant to arise and create revolution, both planetary and personal, and many influential figures from our past who left us too soon were bent on helping us see this so that we could get to work on making real changes as a united collective body.
It’s become clear that the roles the three individuals I’m going to discuss played in exposing the cabal and breeding dissent against them, as well as spreading and reinforcing the ideas of peace and unity, bred the cabal’s interest in them.
My aim in this series isn’t to try to “pin” the deaths of these individuals on any group or person, but to simply present the ever-pervasive alternative viewpoint that we’ve been lied to about certain elements of their deaths that are incriminating to the cabal.
Until a release of the truth about the clandestine operations our governments and alphabet agencies have been involved in regarding stifling popular dissent, we won’t know for sure whether they actually did play a hand in Hendrix, Lennon and Marley’s deaths.
I do think it’s safe to say, however, that we have a good idea.
by Wes Annac
Continued in Part 2 on Thursday.

Footnotes:

(1)- “The Influence of Jimi Hendrix” at Yahoo! Voices:
(2)- “Is Haile Selassie the Reincarnation of Jesus Christ?” at:

http://goldenageofgaia.com/2013/09/were-conscious-musicians-of-the-sixties-and-seventies-silenced-part-1/
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Were Conscious Musicians of the Sixties and Seventies Silenced? – Part 2 – Jimi Hendrix

The first musician I’d like to discuss is Jimi Hendrix. Beyond his hippie status, Hendrix brought much more to music and to the development of the guitar than perhaps anyone.
Hendrix, like so many others in his day, actively spoke of consciousness and becoming aware. I particularly enjoy a mainstream interview he did in the 60s where he talked about music as a spiritual experience. (3)
He revolutionized the music of his day and assisted in the progression of various genres, and was able to galvanize the conscious hippie masses with his melodic, intelligent and just plain impressive music. Music was an avenue for Hendrix to reach people, just like it was for Marley and Lennon, and reach people he certainly did.
However, the entertainment industry has long been known in the conscious circles for its corruption and cabal-ties, and it seems that Hendrix was tangled up in this corruption by being managed by Mike Jeffrey, who was known to have ties to the FBI.
Jeffrey was also said to be a beneficiary to a high sum of life insurance-money if Hendrix were to die, and some believe that he played a strong role in Hendrix’s death.
In order to discuss the possibility that Jimi Hendrix could’ve been murdered, we have to go back to the morning his tragic passing took place.
Woodstockstory.com outlines the version of events given by Hendrix’s girlfriend, Monica Dannemann, and explains how her version doesn’t match with the story given by the paramedics who were on the scene.
“On the morning of his death, girlfriend Dannemann claims to have woken up to find Hendrix sleeping normally and proceeded to go out for cigarettes. Upon return her story states that she found that Hendrix had gotten sick and was having trouble breathing. She called Eric Burdon of the Animals (…) he demanded that she call an ambulance. Dannemann claims that the ambulance arrived at about 11:30 a.m. and that she rode with Hendrix on the way to the hospital where he suffocated en route.
The recollection of the ambulance attendants are a direct contradiction of Dannemann’s story and claim that the apartment was empty except for Hendrix lying dead on the bed. After an unsuccessful attempt at revival, they pronounced him dead. The autopsy failed to conclude the time of death, but it was evident that Hendrix had been dead for some time before the paramedics arrived.” (4)
The referenced source also outlines the contradictory nature of Eric Burdon’s version of events.
“Eric Burdon initially claimed that Hendrix’s death was a suicide, but the facts also contradict this notion. Despite Hendrix’s increasingly erratic behavior and the dark circumstances present in his life, close friends claim that he was relatively happy at the time. Hendrix was found with nine Vesperax sleeping pills in his system which are said to contribute to his death. He was a chronic insomniac who was resistant to the effects of barbiturates and would not have felt such disastrous effects from nine pills. He was also found with a pack of 42 Vesperax in his pocket which would rule out suicide. If Hendrix was intent on self-termination, it is assumed that he would have taken all of the Vesperax.” (4)
The darkest aspect of Hendrix’s murder theory is the idea that the red wine that was found in his system in copious amounts was poured down his throat maliciously in a style similar to water boarding, rather than being there because of excessive drinking on his part.
While the most gruesome and potentially the hardest to believe, it’s also reasonable given two factors: that his blood-alcohol content didn’t match with the incredible amount of wine in his system, and that wine was actually found in his lungs.
Woodstock Story explains.
“It’s extremely rare that someone who intends on a night of hard drinking binges with such rapidity that the alcohol actually reaches their lungs.
The low blood alcohol content in comparison with the amount of wine found in Hendrix’s body meant that the ingestion of the wine was so quick that it didn’t even have time to enter his blood stream. This inconsistency suggests that excessive drinking was not the cause of death. The physical evidence suggests that the excessive amounts of wine in his stomach as well as lungs are more consistent with being water boarded.” (4)
At the very least, the facts that Hendrix’s blood-alcohol content didn’t match the level of wine in his system and that wine was found in his lungs should be investigated. Though I’m still not trying to place specific blame, this evidence certainly points to foul play in a manner that can be masked by the “just another dead partying musician” mindset. Nothing to see here!
So what type of gain was there to be found from Hendrix’s death? Sure, he was an amazing guitar-playing hippie who inspired a lot of people, but what role did he play that would make him a target in any powerful interest’s eyes (beyond helping lead a conscious generation)?
The article on Woodstock Story quite perfectly lays out the FBI’s COINTELPRO and their active determination to silence revolutionary dissent in the 60s and 70s, and discusses where Hendrix fits into all of it.
Hendrix’s manager and the aforementioned life insurance policy are also mentioned.
“There were many people who were believed to benefit from Hendrix’s removal. The COINTELPRO or Counter Intelligence Program designed by the FBI was aimed at eliminating subversive behavior within the country. Hendrix appearance at “subversive” benefits resulted in the FBI opening a dossier on him, and his ability to motivate masses were seen by COINTELPRO as less than innocuous.
Hendrix connection to manager Mike Jeffery only furthered his surveillance by the FBI. Jeffery had on numerous occasions alluded to being connected to underground organizations.”
(…) ”The web of unsavory individuals and circumstances surrounding Hendrix raises even more questions about his death. It was reported that Mike Jeffery was intent on manipulating Hendrix’s life as well as siphoning his money into his own offshore bank accounts. There is also a mention of a million dollar life insurance policy covering Hendrix and listing Jeffery as the beneficiary. Although Jeffery was in Spain during Hendrix’s death, conspiracy theorists speculate that he may have had a part in it.”
(…) “Friends state that in Hendrix’s final days, he became increasingly more paranoid.” (4)
If you research this subject, you’ll see that most of the blame from those who believe Jimi Hendrix was murdered is placed on his manager, Mike Jeffrey. I’d like to assert that if the cabal did have something to do with a death that’s shrouded in mystery and secrecy to this day, than Jeffrey could’ve played a smaller “fall guy” role in the whole thing.
My gut feeling is that Jeffrey wouldn’t have planned it out or organized it, but would’ve simply stood to benefit and remained complicit to/assisted the whole thing.
If the cabal had something to do with Jimi Hendrix’s death, it’s been a well-kept secret for decades. Seeing how many pioneers and inspirers seemed to perish before or during the conservative-driven 80s decade does make you wonder, though.
Jimi Hendrix continues to be a legend to this day, and his, Lennon and Marley’s music continue to inspire each new generation to create beautiful, intelligent music and help the public become conscious. Hendrix continues to live on in the realms beyond our conscious understanding and in the minds and hearts of each of us who find that has music resonates.
It’s tragic that he was taken from us so early into the seventies, but his work continues to inspire and motivate, which I can imagine has been the intention all along.
Continued in Part 3 on Sunday.
by Wes Annac

Footnotes:

(3)- Here’s a YouTube clip of the referenced Hendrix interview:
(4)- “The Jimi Hendrix Murder Conspiracy: Was Jimi Hendrix Murdered?” at Woodstock Story:
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Were Conscious Musicians of the Sixties and Seventies Silenced? Part 3 – John Lennon

Continued from Part 2
We’re now going to turn our focus onto John Lennon. For those of you who don’t know anything about him, John Lennon was a member of the forever-popular group The Beatles until going solo.
With The Beatles and by himself, Lennon showed the establishment that a single person can motivate and inspire the masses to use our voices. With concerts, protests and myriad other avenues, he helped spread the universal message of peace to billions of people.
He was a noted anti-establishment figure, and like Hendrix and Marley, certainly caught the attention of the cabal.
When we can understand the reality of political systems all over the world in the 60s and 70s (and still today) we’ll see that many of these icons who are so revered in our culture today were threats and targets to the powers that were then.
The leaders of the counterculture likely weren’t revered by as much of the populace as they are today.
The FBI, CIA and various other alphabet agencies of various countries were charged with silencing dissent in any way they could, and if the alternative theories being presented here turn out to be true, than the cabal will have done some pretty grisly things in the name of squashing rebellion.
The stereotype we’re given of hippies is that they were simple pot smoking fornicators who hated the establishment because they hated their parents and didn’t want to get a job.  Yes, the hippies chose to rebel against authority in ways you or I may not today, but the seed they planted has blossomed in so many ways as the populace continues to awaken to everything they began to understand.
A lot of hippies discovered their infinite nature as spiritual beings and worked actively to spread consciousness and liberation to everyone around them.  So it is with John Lennon.
I hardly even need to list the reasons the cabal would be motivated to permanently silence him, but we’ll go over some of those reasons nonetheless.
Concsiousape.com outlines John Lennon’s death, as well as one of his famous actions that caught the attention of the FBI.
“According to the official story, on December 8th 1980 John Lennon was mercilessly gunned down outside his famous Manhattan apartment block, the Dakota Building, by ‘deranged fan’ Mark David Chapman.
Lennon was returning home from a recording session with wife Yoko when Chapman pounced. He was 40 years old.
Nine years earlier, in December 1971, White Panther leader and counter-culture spokesman John Sinclair was languishing in a New York jail, having been busted for possessing marijuana and subsequently framed as a ‘dope ring’ drugs dealer.
Sinclair had served 2 years of his 10-year sentence when John Lennon agreed to headline a benefit concert in his name. Within three days of the concert, as a direct consequence of Lennon’s intervention, John Sinclair walked free, an event noted by then-FBI Director J Edgar Hoover, as well as other right-wing government spooks and agencies in America.
From that day on John Lennon was a marked man.” (5)
The article goes further to present the idea that Mark David Chapman, Lennon’s famous “insane” assassin, could’ve been a victim of the CIA’S MK-ULTRA mind control program. Some of the reasons the cabal could’ve wanted Lennon out of the picture in the eighties are discussed as well.
“In his book (…) author Fenton Bresler presents evidence that the former Beatle’s death was not the work of a ‘lone nut’, but that Mark David Chapman was a CIA asset and that the CIA itself – or a faction within it – was behind the assassination.
Bresler cites Lennon’s political activism as a primary motive.
In support of his claim, Bresler quotes late radio host, Mae Brussell, who broke the Watergate scandal along with Washington Post reporters Bob Woodward and Carl Bernstein.
‘It was a conspiracy,’ Brussell affirmed. ‘Reagan had just won the election. They knew what kind of president he was going to be. There was only one man who could bring out a million people on demonstration in protest at his policies – and that was Lennon.’
Indeed, a year after Lennon’s death, CIA-backed forces famously massacred more than a thousand civilians in El Salvador, where America was busy fighting a particularly dirty war.
Lennon was opposed to that war, and word is the White House feared he may have spoilt the party had he remained alive and resumed his role as a political activist – which, according to those closest to him, he was planning to do.
Half a million and more marching down Main Street singing Give Peace A Chance is a very loud voice indeed…”
(…) “His subsequent and highly publicized involvement in other civil and political ‘flashpoint’ issues, not least his massively effective campaign to pressure the White House into bringing the Vietnam War to a premature close, costing the US arms industry billions in lost revenue, served only to cement his status as America’s number one ‘enemy of the state’” (5)
The referenced article also points out Lennon’s famous quote from the 1960s about the Beatles being bigger than Jesus and the fact that he received death threats over it at the time. It might go without saying that to say something like that in those times was certainly to challenge the status quo, which our oppressors never want us to do.
Jon King, the referenced article’s writer, then expands on the idea of Chapman as a mind-controlled assassin for the CIA.
“Back in the mid-1990s I was working on a story about ‘black-budget’ programs carried out by government agencies in deep-underground facilities in Britain and the United States.
My main source for this story was a deep-throat CIA runner whom I have always referred to as Stealth (…).’
(…) It was (…) Stealth who first told me about ‘mind-control sleeper agents’ – agents programmed to carry out covert operations in their ‘sleep’: a state of mind induced, not so much by ‘hypnosis’, but by a neural implant known as a stimoceiver – effectively a biochip transceiver implanted in the brain via which audio and visual ‘commands’ could be sent. And received.
According to Stealth, Mark David Chapman was a CIA ‘sleeper agent’ who had been mind-controlled to assassinate John Lennon.
The official story, of course, is very different. But then it always is. Chapman was mentally ill, we were told, psychotic, a ‘deranged fan’ obsessed with killing his hero.” (5)
King also presents another idea that’s emerged, which claims that Chapman wasn’t Lennon’s assassin at all, but was simply controlled by MK-ULTRA to confess to the crime. This allegation points to the doorman on duty at the time of Lennon’s shooting as being a CIA agent and being responsible.
“More recent evidence, suggesting Chapman may not have been Lennon’s murderer at all, or at least that didn’t act alone, should not be discounted either.
Jose Perdomo, doorman on duty at the Dakota Building on the night Lennon was shot, has recently emerged as a possible ‘prime suspect’.
It turns out Perdomo was an anti-Castro Cuban exile who worked for the CIA as long ago as 1961, and was actively involved in the CIA’s failed Bay of Pigs operation.”
(…) “It also emerged that Perdomo conversed with Chapman outside the Dakota Building as the latter waited for Lennon to return home on the night of his murder.
According to police records their conversation centred on the Bay of Pigs operation and one other notorious CIA operation: the assassination of JFK.
Is it merely coincidence that such a hardcore CIA agent was on duty as John Lennon’s ‘doorman’ on the night he was assassinated?
No, I don’t think so, either.”
(…) “Journalist Salvador Astucia takes the theory a step further: according to him, it was Perdomo, and not Chapman, who fired the fatal shots that killed John Lennon.
Astucia asserts that Chapman was little more than a mind-controlled stooge, a patsy who’s ‘induced model psychosis’ and ‘audio-hallucinations’ convinced him to take the rap.
‘He walked past me and then I heard in my head, Do it, do it, do it,’ over and over again, saying ‘Do it, do it, do it,’’ Chapman later confessed.
‘I don’t remember aiming. I must have done, but I don’t remember drawing a bead or whatever you call it. And I just pulled the trigger steady five times.’
He added that he felt ‘no emotion’ as he squeezed the trigger, ‘no anger, [just] dead silence in the brain’, a fact seized upon by author Fenton Bresler, who describes Chapman as a programmed ‘victim‘ in his book, ‘as much the victim of those who wanted to kill John Lennon as Lennon himself’’” (5)
The arresting officer at the scene went on to reveal his disbelief that Chapman was responsible for the shooting.
“For the record, it was Perdomo who informed arresting police officer, Pat Cullen, that Chapman had fired the gun, and not himself.
Cullen later revealed that he didn’t believe Chapman was the killer, saying he ‘looked like a guy who worked in a bank“’.
Even so, Chapman reportedly confessed to the killing.
‘Do you know what you just did?’ Perdomo asked him at the scene.
‘I just shot John Lennon,’ Chapman calmly replied, then promptly sat back down and started reading Catcher In The Rye.” (5)
In the final snippets I’ll post from this source, the article then draws the link between the voices Chapman claimed to be hearing (which he obeyed) and the auditory hallucination-inducing nature of MK-ULTRA.
“According to Chapman, he shot John Lennon in response to ‘voices in his head’ which told him to “Do it, do it, do it”.
This is a consistent theme in Chapman’s testimony; it was also ‘voices in his head’ which later convinced him to change his plea from ‘Not Guilty’ to ‘Guilty’, in consequence of which no trial was ever held.
Perdomo was never summoned to the witness stand. Allegations of CIA involvement were never investigated. The official story remains legally unchallenged to this day.
And all because Chapman changed his plea at the last minute.
So what could possibly have prompted Chapman to change his plea? Why would a murderer suddenly change his plea to ‘Guilty’ and thus give up any chance at all of walking free?
Well according to Chapman, the answer was simple: it was because a “small male voice“ in his head told him to change his plea, and of course he interpreted the voice to be the ‘voice of God’.” (5)
The article mentions that despite his seemingly clear poor mental health, Chapman hasn’t undergone hardly any psychological care since going to prison. It also mentions the belief in Chapman’s interrogator that he’d been “programmed”.
“A more rational explanation (…) would probably be that the ‘small male voice’ was due to Chapman’s mental health, and it’s notable in this regard that he has never undergone any specialist mental health treatment since his incarceration, for schizophrenia or anything else.
As Salvador Astucia writes: ‘Chapman even now has never had more than routine psychiatric care since entering his guilty plea. He was not sent to a mental hospital, but to Attica State Prison. He was judged legally ‘rational’.’
Which leaves us one further, very real possibility.
Induced audio-hallucinations are a very well documented part of the CIA’s MK-Ultra mind-control programming (…).”
(…) “According to Stealth, remember, Chapman was a CIA mind-control ‘sleeper agent’. According to Bresler, he was a long-term CIA asset via his connections to the CIA-connected organization World Vision and had almost certainly undergone some form of mental ‘programming’ during his time with the agency.
And according to Detective Arthur O’Connor, who interrogated Chapman on the night of the murder:
‘It’s possible [Chapman] could have been used by somebody. I saw him the night of the murder. I studied him intensely. He looked as if he could have been programmed.’” (5)
If you’re looking for fruitful factors supporting the idea a CIA mind-controlled assassination of John Lennon, look no further! All of this is certainly convincing, and while we still can’t know one way or another, this material about the CIA’s very real and declassified MK-ULTRA certainly makes you think.
Clearly, John Lennon was helping the people to be progressive – to stand up to forces that’ll only keep us down and tell us how to live our lives. He inspired people to use their voices for the good of the planet. I can certainly see the cabal recognizing the perceived need to “silence” Lennon, because if I can be allotted to speak from a dualistic viewpoint for a moment, he was “beating” them.
He was helping spread peace and awareness, and was helping the people to find and establish liberation instead of listening to what the men in the suits tell us. Most of our elected leaders have long been working for the interests lobbying them on various issues and throwing gross sums of money at them to be in favor of certain legislation or political ideology.
Sure, there are the few politicians out there with genuinely positive intent, but they’ve been forced work through a manipulated system that’s in favor of the few and biased toward the many. Going against the status quo sees us exit our own pre-programmed mechanisms and ways of living and being, and the cabal has fought quite rigorously to maintain control over the programmed masses for decades and centuries.
Lennon’s music and message will continue to inspire an ever-growing number of conscious individuals to recognize the active oppression of humanity that has and continues to take place. We can break free from the control that’s sought to rule our lives, and in mass numbers we can bring about a new paradigm based in the best interests of every person.
The paradigm I speak of is one where we’ll all work actively to keep our world sustained and where we’ll experience widespread prosperity, peace and harmony. Lennon and so many others strived to see us bring this paradigm about, and for that reason alone it’s essential that we really begin getting to work.
Continued in part 4 tomorrow.

Footnotes:

(5)- “Did the CIA Murder John Lennon?” at Conscious Ape:
by Wes Annac
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Were Conscious Musicians of the Sixties and Seventies Silenced? Conclusion – Bob Marley

Concluded from Part 3
The third and final conscious musician we’re going to focus on in this series is Bob Marley.
I talked a little bit about Bob in part one, and in my opinion, it’s just as palpable that the cabal would’ve had multiple reasons to silence his influential voice as it is with John Lennon.
Bob Marley used calm and cool yet very intelligently composed reggae music to spread the truth about the plight of the poor and suffering, to spread his spiritual outlook on life and to present his native country of Jamaica to the world.
Listen to nearly any song from Bob and you’ll see that his aim was to call on humanity to rise up against oppression and understand our strength as a united collective.
The basic ideas almost anyone reading this can agree with were taken and given the international spotlight thanks to Bob Marley. He expressed the ideas of peace and sharing abundance to eradicate poverty, and constantly reminded us of the need to stand up for our rights and uproot our oppressors.
Being an international celebrity and a noted revolutionary at the same time saw active interest in Marley on the part of the cabal, as we’ll get into discussing soon. Like Lennon and Hendrix, Marley was able to arise and use his voice for a positive purpose to say the least.
The music Bob Marley gave us in his short life that’s devoted to physical and spiritual liberation has inspired and uplifted generations of awakening people, and I owe much of my own drive to use my voice to Bob and his children. But why, beyond his clear influence and ability to incite the disenfranchised masses into revolution, would the cabal have any reason to silence Marley?
Houseofdread.com asserts that many cabal agencies have been actively interested in Jamaica and in stemming the spread of conscious reggae music to the rest of the world.
“I’ve come to the conclusion that progressive reggae music was kidnapped over a decade ago. A bunch of lightweights and imposters are being held up as reggae superstars and the musical culture that these usurpers are bringing forward is undermining true Rasta culture. Within my hypothesis, the degradation of modern Rasta culture has been orchestrated in large part by the hidden hand of the U.S. national security establishment.
In this chapter we examine how this network operates overseas, principally through the Central Intelligence Agency (CIA), but also with the assistance of agencies such as the U.S. Agency for International Development (USAID), the Drug Enforcement Agency (DEA) and the U.S. Information Agency (USIA). These comprise an intelligence network of U.S. government institutions that have a presence throughout the world. These government agencies are major players in this conspiracy.
The scheme includes a number of non-governmental entities as well as corporate and private interests. I charge that, beginning in the 1970s, a Cabal, operating in and around this network, conspired to implement a covert psychological warfare program aimed at thwarting the rapid diffusion of conscious reggae music and its attendant culture. Today’s popular reggae contrasts immensely with that which was created by the Rasta pioneers.” (6)
The referenced article goes into much detail about the use of the entertainment industry to produce low-vibrational dancehall music in the wake of deaths of reggae pioneers to keep the masses distracted, but we’re going to skip all of that and focus on a potential motivation on the part of the cabal to silence Marley.
In doing so, it’s important to remember that an attempt on Marley’s life was made a few years before his 1981 death of melanoma. House of Dread explains:
“In 1976, Jamaica, because of the intensity of political violence, was under martial law. Political warfare was taking place in the streets of the island’s major cities.
The populace was divided along class lines with the masses of the working class, poor and dispossessed supporting Prime Minister Michael Manley’s People’s National Party (PNP) and the elite backing the opposition Edward Seaga’s Jamaican Labor Party (JLP).
Both camps made use of armed street gangs recruited from the ghettos of Kingston and outlying areas. Additionally, offshore influences deepened the conflict; the leftist PNP in solidarity with regional socialists and the JLP backed by the wealthy Western powers.
In an attempt to quell the political violence, the PNP planned a peace concert to be entitled the ‘Smile Jamaica Concert,’ for which Bob Marley penned one of his more renowned compositions. For insight into the role this event likely played in triggering the attempted assassination of Marley in 1976, we (…) refer to (an interview with Timothy White):
‘The concert wasn’t political, it was just intended to cool the country down, and make it stop thinking so intensely about politics and think more about itself and the fact that people in the outside world were coming to like and admire it. Marley got induced to do the concert, but since Manley’s People’s National Party was in power and it was their cultural ministry that prevailed upon Marley to give the concert, it was seen as a political act. And enemies of Bob Marley in the rival Jamaican Labor Party, as well as ghetto associates were involved in their own mischief.
They all pointed to Bob Marley as the cause of their problems. There was a lot of jealousy. As a result, a number of people conspired to assassinate Marley in the days before the concert.’”
(…)”’After Bob was shot and he survived, he went on to perform at the concert, which was December 5, 1976, in Jamaica. He was supposed to be under government protection, but many of those men vanished. He was supposed to take a plane out of Jamaica the following day under police protection.
And those guards vanished. It was a very mysterious thing, the point being that he was left vulnerable again if someone else wanted to try to kill him. It was a very spooky, sinister set of circumstances. Pictures that were taken of Marley and people hanging around his house, where the assassination attempt took place, later vanished under very mysterious circumstances. Any kind of record of who those people might have been just vanished.’” (6)
Here we see that because of supposed political affiliations that weren’t even valid, an attempt on Marley’s life was made in Jamaica in 1976. Note that it’s believed Marley’s shooters were affiliated with the conservative JLP backed by the United States.
I’d imagine that plenty of other interests behind the scenes stood to gain if Marley had perished that night in 1976, but instead, he grew stronger and continued to inspire the public to rise up.  He joined in the fight for the independence of various peoples, and seemed to become a direct response to the unchecked nature in which the cabal has been able to rule over a silent majority.
In the final snippets I’ll post, House of Dread goes on to discuss why the cabal could’ve wanted to take Marley’s life, as well as one opportunity they were given in particular.
In reading this, remember that Marley died of very rapidly-progressed melanoma.
“As revealed throughout this chapter, the motivation for removing Bob Marley and Peter Tosh from the international political scene is incontestable. They had become revolutionary cultural icons whose profound influence on young people worldwide had presented a direct challenge to the self-interests of the Western security establishments.”
(…) “In so far as the opportunity to have attacked Bob Marley with a potentially cancer-causing agent, there has been speculation that, during the time Marley was initially being treated for the foot injury which is believed to be the beginning of the cancer in his body, Bob was given some kind of an injection by a French doctor. Later Marley did travel to the Federal Republic of Germany to undergo radical naturopathic cancer treatments by one Bavarian Dr. Issels, who is revealed to have had former Nazi SS and intelligence connections.” (6)
If I let myself post all of the snippets I’d like to from House of Dread’s article on this subject, I’d probably fill up five more pages with them. Alas, I will conclude this section and highly recommend researching the referenced article if you’re interested in this subject, because it certainly provides much food for thought.
The article goes on to discuss the CIA and DEA’s active involvement in Jamaica, and various other subjects.
The consensus expressed in the article seems to be that it’s possible the CIA could’ve played a strong hand in the deaths of Bob Marley and Peter Tosh (who was another reggae pioneer and whom originally played with Marley), and that the wave of genuine and inspirational reggae music they and others pioneered was replaced with vain and materialistic impersonations of genuine roots reggae.
That’s not to say that there isn’t still genuine reggae music in this day, but I have to admit that it’s clear the cabal has used the entertainment industry to keep humanity distracted and focused on vanity and egoism. Bob Marley, Peter Tosh and a whole wave of reggae pioneers helped to break distraction and mind control with beautiful-sounding spiritual music and a universal message of peace we can all get behind.
Marley joins Hendrix, Lennon and so many countless others who were at the forefront of awakening the populace in the 60s and 70s, and his children continue to help awaken humanity and spread the message of Rastafari with their music and humanitarian efforts.
In concluding this series, I’ve been aching to express that despite the subject matter discussed here regarding Jimi Hendrix, John Lennon and Bob Marley, it’s important to remember their lives more than their deaths.
It’s important to remember the sacred work these individuals performed to awaken the collective and introduce us to a paradigm vastly different from what had been deemed normal. These individuals reminded humanity that we can liberate ourselves and find expanded perceptions of our own spirituality in the process.
They helped us to unlock and remember a crucial part of ourselves, and their work is so much more important than their deaths or who were responsible for them.
Don’t get me wrong – if the cabal is responsible for the deaths of these individuals, than it’s crucial that they be held responsible and the public informed. This is what sparked my desire to research and write about this subject, as opinion has long pointed toward the cabal as being responsible for the deaths of various influential people and I’m ready to know the truth.
It’s time for the public to be informed about everything that’s been hidden from us, because politrix is a stage show designed to distract us from seeing the real decisions that are made behind the curtain. Dare I say this, but even more important than the work of Hendrix, Lennon and Marley is the work you choose to perform in every moment.
What are you contributing to the awakening of the collective today? How do you choose to help elevate the planetary consciousness and introduce the world to the realms of spirit? Do you feel inspired and driven to work with as much of yourself as possible to help everyone become aware?
It’s been said and believed for a long time that our planet and collective is reaching a higher state of consciousness and awareness. What are you doing in this moment to assist this elevation of consciousness?
I can’t claim to know how things work behind the scenes, but I can say that any progression from one point of existence to another must be attained with the active involvement of everyone. The pioneers and leaders of recent and distant decades understood this and aptly got to work on offering themselves to the betterment of humanity.
Are you up for the task these brave souls willingly accepted? Are you ready to throw yourself into a new paradigm built with the active involvement of every person?
Seek personal liberation and spiritual enlightenment, understand the reality of the Golden Rule and use your voice to inspire our collective to uproot the forces of corruption and tyranny that have thrived off of our unawareness. Some have seen beyond the veil and worked to help the rest of us to do the same, and now that an ever-growing number of us are able to, we’re charged with spreading awareness to the general public.
Wes Annac – Focused on the task at hand. Viva la revolution, personal and physical!
WesAnnac.com
AquariusParadigm.com
Contributing Editor: The Golden Age of Gaia
Bob’s children – Ziggy, Stephen, Ky-Mani and Damian, put it quite well. Don’t let them change ya, or even rearrange ya!

Footnotes:

(6)- “Theory of Alleged Conspiracy by the CIA Against Bob Marley” at House of Dread:
by Wes Annac

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